1. Halcyon moment.
Returning from a hard bike ride I stop on Halton bridge, lounge with my elbow on warm riveted metal, gaze vacantly down on the glittering threads of water below the weir, at the newly-arrived swans with their looping necks feeding assiduously, dabbling ducks tipping up and back, black-headed gulls lifting and landing, when my eye is caught by a quiver, twenty feet from me, eye-level, a flicker of coloured lights. Hovering, twitching, hovering on barely-visible wings, blue green red, a humming bird from Portrait slipped through space-time, except no slip, this is here, real, now: iridescence vibrating green blue, plump rufous body, sharp beak – it drops, like a climber falling, through me, a tiny splash, then it shoulders out of the gluey water, fish in beak, streaks low across the water, up into the trees, gone. The river flows, the birds feed, it happened.
I know it is a kingfisher, that this is its normal behaviour, nothing special, “it dives, either from a perch or while hovering, to catch fish”, says my bird book. And yet. I have seen kingfishers four times, and I remember each time, place, who I was with, mood, circumstance, recall each perfectly, and in each a kingfisher.
Portrait is Tacita Dean’s film of David Warner and hummingbirds, in which both are hypnotic and memorable.
2. Water-skiing through Lancaster.
Bank holiday, high tide, crossing the bridge, coming closer is the whine and roar of a high-revving engine … and from round the bend under Greyhound Bridge bursts a speeding motor boat, followed by a figure on a single ski slaloming back and forth across the wake, whooping, under the bridge below me, and round the bend upstream. I think of the kids in Les Amants du Pont Neuf joyously water-skiing through Paris. Except this skier looks more like a supervillain. Ten minutes later he reappears, shoots under the bridge, heads downriver towards the mouth of the Lune, still whooping, is gone.